Matt Phillips, the brilliant writer who brought us the classic Know Me from Smoke, Bad Luck City, and now Countdown, is here to talk Bury it Deep, the noir classic from 1993.
Hi Matt, what’s the book you want to talk about?
Bury it Deep by Sam Reaves. It’s an old book and you may not have read it…
I’ve not read the beast. Corrupt Chicago politics, Teamsters, and death by homicide – heady stuff. What’s the draw for you?
Sam’s prose is as good as anybody’s. But really I love the characters he creates. This book is one of a series that follows a cabbie in Chi-Town named Cooper MacLeish. Both Cooper and his reporter buddy are great noir characters but with nuanced intellect and sensibilities. There’s a bit of bohemian aimlessness to them, but they’re also peppered with enough PI guts to make the story amp up page-by-page. Take that and add in the Chicago corruption angle, working class politics, and some great relationship drama…This is a noir that should be counted among the classics.
What’s the set-up?
Without giving too much away: Cooper’s buddy, a local reporter, is slated to get some city hall intel from a mysterious source. Eventually, he asks Cooper to go with him to a meet and they get mixed up in a brutal murder. The book starts, though, with a haunting cat murder and a death threat. I loved the book from the outset—nothing like spitting in the eye of the ‘cozy’ genre to start a great noir novel.
Is there a 70s vibe to it in the sense that two Bohemian types living in a counter-culture are caught up in the world of high politics and skulduggery?
Yes—that’s it…to a degree. The story evokes the novels of George V. Higgins, but Sam Reaves has his own distinct style. Far less dialog-heavy, but Reaves has a similar ear for how people speak and a similar eye for how the world truly ‘works.’ The thing about this book is that it doesn’t matter what time period—the story is so well-done and detailed that, as a reader, you’re in that world. You believe what’s happening because the writing is that good…You’re there. And, like with so many good books, you can’t escape until you read the last damn page.
What’s the book’s political atmosphere? Is there tension between a political elite and working class ambitions? Is it working class politicians absorbed into a corrupt system? What do Cooper and the reporter want from the city’s politics?
The plot of this one is oddly familiar (in a real-world kind of way), at least to those of us living in the good ‘ol US of A. Local Teamsters are involved. There’s a mysterious recording that a lot of people are dead-set against releasing. And, of course, some pretty shady stuff related to a mayoral election. It’s really about how politics—I think—can’t help but corrupt even those who start out with good intentions. More than that, it’s about normal guys (a run-of-the-mill reporter and a cabbie) coming through for their city and going after the truth. Like with most noir, there are heightened tensions between the working class and the political elite. The result is murder (more than one)—and these guys, like a helluva lot of us, don’t want much from politicians: All they want is the DAMN truth.
Are the protagonists susceptible to corruption? Do they fight inner demons?
Funny, I’d say they’re incorruptible. But they’re also horribly imperfect—that, to me, is what makes them likeable as characters. It’s what makes them real. Like any great noir book, this one deals a lot with paradox. How can two outcast characters be so incorruptible as to pursue the truth about folks who maintain a facade of incorruptibility? Even when these two characters are full of flaws and mistakes and imperfections themselves? I think the answer lies in the fact that people who seem ‘put together’ or ‘perfect’ or ‘always on,’ are full of shit. Often times, their very impression/existence is a lie. Give me Cooper MacLeish, a smart cabbie with tons of failure in his life, over a ‘perfect’ cop or PI any day. Give me somebody real that I can get behind. I’ve got no time or inclination to read about perfect people who never fuck up. That’s not what novels are for…The noir story should get at the heart of what life really is: It’s complicated, hard, incomplete, unwieldy, exhilarating, disappointing—it’s amazing and horrifying all at once.
Is the antagonist front and centre, or a ghost-like background presence? What’s their worldview?
Like a lot of great mysteries, it’s not clear who or what the protagonist is at the start—that’s one of the great things about this book. The reader goes on a journey of discovery with the main characters and, little by little, the truth is revealed. It’s truly a knot that tangles and tangles and tangles until…it finally comes unraveled. Look, the book is very much about power and how it works. The antagonist(s) here don’t shy from corruption or violence. Are you seeing a thread here? All the great elements of noir and crime fiction, I think. That’s why this is one I wish like hell I’d written.
Cooper will have seen all the worst, and maybe some of the best of humanity in the back of his cabs. Is his cabbie experience layered into the story along with his life’s failures? Does it add to any cynicism he has?
Yep, that’s exactly right. Add to that a love interest who doesn’t want him to drive anymore because he keeps running into violence. I imagine being a cabbie is a lot like being a bartender in a tough bar, but worse. You see everybody, from all strata of society. Of course, nowadays I suppose Cooper would have to be an Uber driver (or is Chicago one of those who has regulated Uber?). But I still think it’s a similar thing. You pick somebody up downtown and you can’t really know what they’re up to. Could be a coed out for a Martini or a drug mule carrying money for a cartel … I mean, really, that’s true. Part of the thing for Cooper, though, is that he could really do anything with his intellect and ability. I’m not sure being a cabbie makes him cynical—rather, he chooses that profession because of who he is. For some reason, it suits him…
The love interest in your own classic, Know Me From Smoke, is integral to your novel. What’s the love interest in Bury it Deep like? Is she as crucial to the plot?
Yes! In Bury it Deep, Cooper has this lady named Diana who is essentially the good angel on his shoulder. She wants him to go back to school, to quit driving a cab because he’ll eventually get shot. That relationship tugs at the heart of who Copper is—to me, Diana serves as a barometer for him. He’s constantly wheeling back and forth between what he should be and what he is. A lot like what happens with Royal and Stella in my book. Sam Reaves does us all one better though. His reporter protagonist falls for a femme fatale type. Not only does Reaves toy with that trope, but he also builds a nuanced romantic relationship for each of his main characters. It’s top stuff, believe me. Now that I think about it, reminds me a lot of Newton Thornburg’s books. In any case, Sam Reaves is one of the masters of the genre.
Mel, the journalist, is after his big story. What does the book say about the profession and the media as a whole?
I think the book says that journalists—no matter where they work or their beat—have to be dedicated to finding the truth. There are a number of times when this guy can give it up. He can walk away and be done with it, but the truth is what really matters to him. Sure, he’s a ‘regular’ reporter trying for that big, big story every journalist wants…But this guy knows there’s something hidden, that he has to keep scrapping. Somewhere, on the other end, there’s a whole web of corruption he needs to expose. And here’s the thing: If he walks away, nobody will be the wiser. Nobody is going to know. Being a journalist, according to my reading of Bury it Deep, is about doing what’s right—and it’s about doing what’s right even when nobody will know. You have to be gutsy, but you have to be ethical. Again, yet another example of Reaves’ ability to craft a nuanced character…
Does the character’s past, his failures, push him further on his chase for the story?
I’m not sure it’s his past that pushes him so much as his general intellectual curiosity, his sense of ethics and what’s right, and a more general attraction—quite frankly—to adventure and violence. Some people are simply drawn to and through interesting stories…Copper is one such character. This, for me, goes back to crafting a nuanced character—Reaves creates such a character in Cooper and, as a reader, I’m carried through the story largely by that. It’s not about what’s happening, but who it’s happening to/with…All great books, I think, are really about character. The events/plot are simply a testing ground for character. As novelists/writers, we should always be asking one question: Who are we?
When did you first read Bury it Deep? Is it the book which triggered you to write?
I came across Bury it Deep by pure chance. My first time at Bouchercon, last year, I was sitting in the lounge and sipping coffee. Wondering what the hell to do, to be honest. A guy sits down next to me and introduces himself—turns out, it’s Sam Reaves. He was absolutely gracious, kind, and passionate about crime fiction. Later that weekend, I was in the book room and Bury it Deep caught my eye…I started reading it on the plane ride home—and I finished it over the next couple days. I guess I came across the book the same way I’ve come across a lot of the books I love—pure luck.
So what did trigger you to write?
That’s an interesting question—and the truth is, I just know that I always thought about telling stories. And I was always talking to myself as a kid, making things up, creating characters. I do remember some distinct moments that made me ‘feel’ like a writer. In tenth grade, a girl I knew said she had to write a poem for English class. I asked if I could try—I wrote something vaguely smacking of Metallica, but it was rhythmic and used lots of word play. She said that she wished she could write the way I did. She used the poem for her assignment, so I suppose that also started my life of crime. I should say, I also remember two teachers encouraging me in the Language Arts. One, in eighth grade, said I was a talented reader and writer. Another, in my freshman year of high school, gave me a compliment after I did a reading from Shakespeare for the class. It was his way of saying—I know this now—that I maybe understood the character and play in a way that my classmates didn’t…And when I was a senior in high school, my dad read a heist story I wrote. He pointed at the pages and said, “This, you should do this…And you’ll be alright.” Here I am, working my ass off at a day job and trying to write novels at night. And to little fanfare and acclaim! But what the hell, right? Thanks, dad!
Your dad sounds alright. Do you believe a protagonist has to be likeable?
Does a protagonist need to be likeable? Yes—I think that’s the case, but that doesn’t mean they have to be good or moral or ethical. A great protagonist can be a crook with a sense of humor or a con-man with a charming personality. Or a woman out to snag somebody in some vicious trap. Hell, it doesn’t matter if your protagonist is kind or heroic—all that matters is if a reader can identify with that character or if a reader can invest themselves in what happens to that character. As people, we love to slip into the skin of other people…Even if they’re crooks.
I loved Know Me From Smoke. I’m looking forward to Countdown (thanks for the paperback). What’s next?
Well, I’m proud to say I have another pulp crime novel that’s just been accepted for publication. Can’t offer any hard details, but it’s a brutal one that follows a character I introduce in Countdown. I’m not sure if my books are getting more pulpy over the years, but I do feel I’m getting better as a writer with each book. It’s a real pleasure to be creating a body of work. Other than that, I’ve got another noir novel I’m halfway through on a first draft and an existential noir novella I’m half done with…Just grinding away on the page.
Matt, I can’t wait to tuck in. You’ve been a top guest. Any final words about Bury it Deep, Sam Reaves, and life in general?
Thanks for having me, Jason. Been a helluva pleasure. Famous last words? Why not? I guess I’ll say that I love discovering new writers. It was by pure chance that I discovered Sam Reaves and Bury it Deep. Sometimes, great books find us, you know? I’m about to dig into Pablo D’Stair’s Man Standing Behind. Also got Paul Heatley’s new one, Bad Bastards, headed my way through the mail. If there’s one thing I know, it’s this: There are so many great writers out there. I want to encourage people to branch out, try somebody new—give another writer the chance to surprise you. I don’t care if it’s an older book or a recent release…Give a few of us a shot—you won’t be disappointed.
You can buy Bury it Deep HERE.
You can buy Matt Phillips’ books HERE.
Matt Phillips’ blog is right HERE.
Here are some short stories by Matt Phillips, appetisers for the bigger beasts:
Thoman’s Word published at Shotgun Honey
Role Player published by Gut-Shots/Flash Fiction Offensive
Noir Fiction: Where the Nature of Evil Unravels published at Writer’s Thread