“I loved this fucking book.” – David Nemeth, Unlawful Acts
“This book has some serious grip.” – David S. Atkinson
“They’re barely in their teens, but already they’re streetwise, courageous and honourable, qualities that are tested to the nerve-wracking limit in this gritty coming-of-age tale from a master of description. Compelling reading.” – Brendan Gisby, author of The Bookie’s Runner
“Beech expertly balances the nostalgia of childhood adventures with the brutality of life in a very grown-up and dark town. City of Forts deserves to sit equal with the greats as a piece of entertainment and a study of modern life’s struggle.” – Aidan Thorn, author of Rival Sons
“An excellent slow burn novel.” – Keith Nixon, author of the Solomon Kane and Konstantin series.
“Jason Beech’s City Of Forts masterfully blends urban noir with coming of age drama. Tense, atmospheric, and haunting.” – Paul D. Brazill, author of Too Many Cooks and A Case of Noir
“Beech writes in attention-grabbing, visceral prose…” – J. Salem
“This was a fast-paced action adventure. It kept me on my toes and turning the pages to see what was going to happen next. Very good read!” – Latisha Austin
“Never Go Back is worth your time. Especially if you like watching people suffer or enjoy chillin’ with the bad guys.” – Aurelia Pitchstone
“Beech has an almost preternatural insight into his characters’ psychology, personalities, and motivations, and combined with his quirky, addictive style, Never Go Back keeps the reader not only turning pages, but sweating bullets along with Barlow.” – Joanne M. Reinbold, author of Missing
Dana King’s A Small Sacrifice is an entertaining and smart private dick novel. Nick Forte gets into a case all about clearing a woman’s son from the murder of his child, which quickly escalates into attempts on his life as he realises this thing reaches deeper into Chicago’s underbelly than at first glance.
The plot is intricate, smart, and well played. The violence is short and sharp, and spare. King doesn’t dwell on the kid’s murder, but at the book’s end, there’s some graphic bloodletting. The book’s core is the mystery, the process, his internal monologue and the wrestle of his conscience about what he must do to stay alive in the mess he’s trod in. And that is where it sings. The action is fun when it happens but it’s definitely the second act to the chit-chat and finding his moral compass.
You can buy A Small Sacrifice at Amazons US and UK.
“I fucking love this book” – David Nemeth, Unlawful Acts, on Never Go Back.
Sonia Kilvington’s Nightmare Asylum and Other Deadly Delights (Close to the Bone publishing) is a creepy beast of a book – all short stories, some flash length, every one of them delving deeeeeep into the characters’ psyches. And what dark, twisted and sometimes sad minds they are. Kilvington has really dug into motivation, though sometimes I’m not sure it’s motivation but some trauma which carries characters onto the rocks against any wishes they ever had.
That sense of uncertainty pulls and pushes until disaster strikes. Even when it turns out for the best, there’s that restlessness which means the character can’t quaff a nifty glass of champagne and enjoy the rest of their lives. They’ve got a shoulder to constantly look over to see what else is on their tail.
It’s unsettling. I’m not the fastest reader, but this book slowed me down more than usual. I had to put it down for a couple of days because you have to shake the cold from your spine before you start again. For example, Winter Baby. Told in a way that the loss of the character’s baby doesn’t just make you feel sympathy, it settles in your bones as if the loss is yours. The transition from family bliss to the rotten collapse of your world, where you’re forgotten along with the child, is something that I know will pop into my mind any moment in the future, and I’d guess the same for anyone whether you have kids or not. Beautiful and vile at the same time.
Cry Baby further explores the strangeness of some men, here a mother’s boy who pines for his mum so much that he’s triggered by Sylvie, a woman he sees in a bar wearing the kind of dress his parent wore when in his formative years. He sizes the woman up, calculates his plan, and then preys on her weakness, but his obsession is not quite what you’d feared, though it’s totally off-the-wall. Crackers, and totally, weirdly entertaining. Strange men wanting a sense of control from uncontrollable females runs through a lot of the book. Soulmate, though more straightforward than Cry Baby is still wary of the man with a crooked view of women. In this one, the protagonist’s computer is hacked when an online lover she’s never physically met becomes mad that she didn’t answer her quickly enough. What follows is a dash to save her job, her savings, and her life.
The finest example of the rogue male is Perfect Love, about a male robot programmed to love. The droid gains a semblance of sentience, but his programming is strong (coded by a male?) and when the love of his owner doesn’t match his concept of the emotion you can imagine how pear-shaped it all goes. Reminded me of that strange film, Ex Machina (Domnhall Gleeson, Alicia Vikander), but instead of the female robot wanting to escape, here the male robot wants to latch onto its love, with overbearing consequences.
It’s not all dodgy fellas. There’s sibling jealousy, horrible women, and a whole bunch of Gothic madness to set you up for a cracking read. Good stuff.
You can buy Nightmare Asylum … from Amazons US and UK.
I used to love the smell of fried onions, but now they get right up my nose. Not as much as people like this, though.
“Are you Adam Callen? Thee Adam Callen?”
I put a beam in my smile the best I can, but I know it’s slanted down toward the sad burger I fry for him. The wind whips around my burger van and flips the old Pepsi cup over. Plastic cutlery sprawls across the counter. The man laughs.
“My sister loved you. She loved the whole band, but she loved you in particular. Always said she’d marry you. Wait ‘til I call her. Adam fucking Callen, her pop idol – all washed up, serving burgers and chips. I’ll have extra onions on that if you don’t mind. Don’t skip, thank you.”
He has his phone out of his pocket. Holds it like a hot brick from his excitement. I hope he drops the bloody thing and smashes it to bits. A queue has formed – a snake with this tosser its venomous head.
“Don’t take a picture of me.” I put my palm out to cover my face. I don’t want to see myself splashed across a Then and Now feature in a cheap rag for some former fan to gawp at while she has her nails done.
“Why not, mate? You too good for a picture with us common folk?”
“You’re not taking a picture of us, you’re taking a picture of me. Fuck off, will yer?”
The man blasts a bunch of shots. His mouth screws like he’s eaten shit with sugar on. “All your palm.”
I slide the burger I’d managed to finish towards him. “Here, take the burger. On the house.”
“I can’t take that on the house. Here …” He fishes for cash and pulls out a fistful of loose coins. Loads of pennies and tens. Plants them on the counter and loses me some custom as he counts and recounts. “You’re down on your luck – you need all the dosh you can get.”
“No, I don’t.”
A couple behind laugh. My cheeks twitch. I could cope with the music press mocking me back in the glory days, but not this. Friday nights under burger van strip lights bleach me of the colour that once shone across me during our tours. Girls screaming. Throwing their scent at me in the form of knickers and bras.
“All that money you must have made.” The man chews on his burger. I hope it soaks up the alcohol and makes him realise what a twat … no, here he goes again … “You invested it all in this van? What a waste. The burger is shit, by the way. How the mighty have fallen.”
“At least I made the heights, pal. What have you ever reached, apart from the depths of your own arse to find a speck of pleasure?”
Part of the line guffaws. Someone claps. I manage to break through a grimace this time and enjoy a broad grin. My face usually resists these days.
As the human stain skulks away, I notice how much weight he packs. How his arms might uproot an oak tree if he fancied it. I throw another burger on the hot plate, smile at my next customer, and snatch a grasp on the cricket bat I keep by my side. Hum an old tune of ours, about how my girl is an angel. I understand, now, that it drips with more sentiment than this burger did grease, but back then I sang it with all my heart. To avoid a life like this. The tune turns sour as I rip open the next pack of burgers.
I rest my fists on the counter. The sizzle on the grill cracks a few beats. Loosens my fingers until they splay out. The tune comes back to life. I’ve still got it –
“And when you look at me that way, hey hey,
I can only soar out to the end of the bay,
Because it’s what’s inside that counts,
And you have it, babbbby, you have it to the top of-fff the mount – ain.”
A woman shouts down the line. “I loved that song. Absolutely loved it. You’ve made my night, mate. Thank you.”
Life isn’t so bad. There are more people like her than that tosser. This burger transforms into a culinary masterpiece, at least in my eyes. I’m on a roll. I flip a whole ton of burgers, sizzle a whole garden of onions, and listen to mustard and Tommy ketchup squirt across my creations. I glance up and follow the lights up the walls of the Town Hall, Sheffield’s finest building. Makes me buzz. A local patriot. I forget about London parties, the screams from girls, the hot mothers – and the few who wanted to play away.
I forget for a bit.
“Here he is … here he fucking is.”
The man with the tree trunk arms has brought a branch back. His friend’s hands shift about his pockets and sides for want of a pint.
“I don’t know who he is.” His friend examines me with glassy eyes. I pretend I haven’t seen them and continue to hum an old tune to entertain my punters.
“Adam Callen. Was in that boy band.” Tree trunk gets pissed his pal doesn’t recognize me.
“What boy band?”
“Bloody hell, I can’t remember. They were an X-Factor type of band.”
“Ah, come on, Frankie, I don’t know any of that shit. I like my Sabbath and Zeppelin. I wouldn’t know a boy band from a Debenham’s dummy.”
“For fuck’s sake, Tom, you don’t recognize him?”
“If he doesn’t look like Ozzy or Plant, then I have no idea what you’re on about. Why’ve you brought me here, when I could be necking the next pint? Jesus, Frankie, buy your bloody burger and let’s get inside before my balls clang to the floor.”
“You’re a useless twat, Tom. Absolutely useless.”
“You’re right. Without a bit of sauce in my hand, I’m lost. Can we get back indoors?”
“I want a burger.”
I hold my palm towards him, all traffic cop to this juggernaut as he charges to the queue’s front. The line has thinned to about five couples and singletons and they all throw their voices, and some their arms, at this lack of etiquette.
“Frankie, please, can you take your turn like everyone else.” I’m fairly fit, but I’m not built like the shithouse who glares at me. So I paint a smile for him, to placate whatever beef he has.
“How d’you know my name?”
“I heard you and your friend. You’ve got a big booming voice. So has he.”
He’s either had a few or his eyes normally roll about like this. The top of his nose wrinkles as he sniffs. He punches my burger van and pretends it didn’t hurt. I fight my grin at the flinch he bites down on.
“You’re a fucking loser, mate. Look at you. Flipping burgers.”
Bollocks to this. I lean over the counter and put a hand on his arm. I’d seen Bill Clinton do it on the news and his object of attention always melted. Frankie puts a laser beam on my hand, then lifts his eyes to meet mine.
“Frankie, you said your sister loved me. Maybe I can visit her. Give her a rendition. Her own little concert. Would she like that? I turn up – voila, look what you did for your sibling. She’ll love you for it. You get all the credit.”
His mouth moves as if he chews one of my burgers. “She’s not a teeny-bopper anymore … I mean, I don’t actually know if she listens to you these days. It’s been about ten years since you did anything … You know what, fuck it, yeah, let me take down your number.”
A genuine smile sunshines across his broad face.
“Nah, I’ll take your number.”
A cloud smothers that smile and pisses on it. “I’m not playing that game, mate. You won’t call me. They never do –”
“I’ll call you. For God’s sake, I’m here every Friday and Saturday night selling my cuisine.”
“I suppose … Okay.”
He grabs at the napkins in his renewed excitement. Pulls too many and litters my front as they fall from his grasp. He doesn’t notice. I’ll have to go and clean up. I suppress that sigh and smile, all apologetic, at the line behind. The last fella in line has already wandered away. Frankie slides the napkin my way and plants the pen on top so the wind doesn’t carry it away with a flock of other litter.
“Call me tomorrow, yeah?”
I un-purse that tight smile to trigger his excited nod. Every muscle in my face drops, exhausted as his shape blurs into the crowds with his mate, Tom.
“So …” A brunette with a cheeky smirk slaps my counter. “I just have to threaten you with violence and you’ll come round mine?”
I bark a laugh which ripples from all the released tension.
What could I do? I’d promised. Frankie told me, in our as-brief-as-possible phone call, that his sister, Liz, had her birthday do about five miles from my place. There’d be lots of people there. I could walk there to loosen up, to imagine the walk as a stroll from a changing room to the stage. I ask the taxi driver to get me there and drop me off half a mile down the road. I need to stretch my lungs – pluck my strings to tune up. I roll my shoulders as a boxer would. March down the road and imagine the screaming hordes. Yeah, they were a bunch of teeny boppers back in the day, but we always managed to make their mothers and aunts swing. The attention rocked. The buzz lasted until morning and left you desperate for the next fix. Three of us, anyway. Benny hated it all. Said it demeaned him. He’s the only one left with a career. He still packs them in at the Sheffield Arena when he comes home. He’s not even the best singer, or the best looker out of the lot of us. I heard he still hates it all. Tosser.
Every step sends notes up my spine. I hum away. The old lyrics pop and I feel a dance move simmer to the point where I might just do a Michael Jackson on every crack in the pavement. I pause outside the working men’s club’s double doors. Chipped paint doesn’t conjure the entrance to Wembley Arena. I wipe the back of a hand across my nose at the non-existent itch. Can smell fried onions and burger fat. Not sure if somebody has a fryer going or if it’s a signature smell I now have stitched deep in my nostrils.
I blast a breath. Rev my vocal chords and palm open the door. A spotlight doesn’t hit me. Still, I build on my fantasy and imagine I have a horde of screaming women awaiting me through the next set of doors.
“You the talent?”
I squint at the old man behind the desk in his brown cardigan. He eyes me through half-closed eyelids, unconvinced by my shaggy but well-gelled hair, skinny jeans, and waistcoat.
“Yes. Yes I am.”
The fluorescent bulb bounces 1970s light off his glasses and in-need-of-painting walls. I hesitate to take the next step. What if? What if? What if this works out and I go viral on social media? What if it sets the ball rolling all over again and I end up as support act for Benny. Or he ends up the support act for me?
Frankie pokes his head through the Formica-clad door, and beams. “You made it, Callen. You can still find your way around the streets by yourself, my man. Well done.”
He puts his big arm round my shoulder. Squeezes and pats. Expels some of my air. I nod and work myself up even higher. An old fan and her friends wait for me he says. All with camera phones.
“Liz doesn’t know a thing, mate. I’m going in first to introduce you, get the crowd worked up –”
“Yeah, the crowd.”
I buzz like champagne fizz.
“So, my man, wait here, and come in all pop star when I call your name. Alright?”
The entrance room isn’t big enough for my smile. “I’m ready. Let’s do it.” I let the green fluorescent which bounces off the Happy Birthday sign above the door become the glittering lightshow I used to enjoy.
The microphone screeches a little at Frankie’s first few words until he shifts it away from his mouth. “Ladies, gent –” I’m sure he said gent, not gents, but I reckon Frankie didn’t have much of an education. “You’re going to be well-excited for the main attraction. Here he is – Adam Callen.”
I pound across the chipped black and white tiles and past the old man’s raised eyebrow. Swing the door wide for dramatic effect and lift my hand high at the appreciation. Filthy shrieks dart down my earlobes, a different tone to the ones I used to know. An invisible wall, made from brick and concrete and glue and other sticky and hard stuff, block any more steps. Four women and Frankie – my whole audience. Frankie’s the gent, singular.
“Phwoaarrr.” The woman’s mohair jumper has turned her into Sully from Monsters Inc. The other three women whoop and clap and finally mince their foreheads when I don’t shift. The room spins, or maybe I did from eyeing the room’s every corner for the real crowd.
They attack. Paw at my arms. Shift their hands inside my shirt. An older woman, in her sixties, I reckon, slips a hand down my jeans and actually rubs and squeezes.
“Come on, lad, strip off for the birthday girl.”
Frankie has his camera phone on me and this time he doesn’t have his view blocked from my outstretched hand. The onion smell comes on strong. The years stretch ahead like a potholed road – me glum in my burger van until heart disease sends me to a better place. I act before my upper lip wraps over my nose and my teeth crumble from the grind. I lift the mike with a foot and flick it upwards. Catch it high in the air with a jump and break into song as I land. The horny women step back – they might have clutched pearl necklaces if they’d worn any. I stroke my body with the free hand, rush it through my pop star hair, and perform some old steps. They’re not as well-oiled as back in the day, but they’ve got to pass the working men’s club test. It’s all acapella. I thrust the mic at this Liz woman so she can take part in the chorus, which she does, the game lass she clearly is. I provide them with some class A warble that has the women’s feet on the move. Their hips sway, their feet shuffle, they have hands in their hair, and they laugh like drugged-up hyenas. I zone in on them. Get close so they seem the biggest crowd I ever played to. Get involved in their scent, their touch, their purr. I get boob action as they writhe against me and laugh at themselves. I’m God. I’m a fucking star. I should be doing this on Friday and Saturday nights – not worrying about how well the onions are done and on edge about the loss of a two-quid customer.
I finish the song full of euphoria, until I open my eyes. Frankie’s jaw strokes the carpet. The old man is stood in the doorway, his eyes wide. The women clap and the eldest asks when I’m going to get my kit off.
Liz cuffs my arm in realisation. “Thee Adam bloody Callen. What are you doing here? In the flesh. My god, I used to love you. I fantasised about you. Took me a long time to take your picture off me bedroom wall. This is hilarious.”
“Yeah, hilarious.” I peck her on the cheek. “Happy birthday. Courtesy of your brother over there.”
“Frankie … You big Teddy Bear, you. You booked the whole club just to get this little gig together? Should have told me. We’d have got a bigger crowd. You told me you were getting me a stripper. Which is weird, by the way – brother. But, I get you now. Ha – pop star Adam Callen.” Her boobs bob about her chest as she regains breath, as if that jumper chews on her. “Well, I really enjoyed that. Do you need a backing singer? We can all sing – sort of.”
Reality whackamoles me back into my hole. “Sorry, Liz, I’m all washed up.” I deaden my eyes for Frankie. “I do need an assistant for my burger van, though. Shit pay, but if you’re available.” Why not? She’s sparked me back to life, if only for a few minutes.
Her lips, like those of her friends, screw to the side. “You run a burger van?”
“Yes. Yes I do. You want to fry some onions with me?”
“Fry onions with Adam Callen? Of course I bloody well do.”
We sort terms and a start date. I give Frankie my best wink as I leave with my new fan club for a night on the town.
All books in the Bullets series are FREE for the next 5 days. Pop Star Burger Van is taken from the second in the series. Click US or UK to get the beasts free.
Les Edgerton’s The Death of Tarpons is a cracking coming-of-age drama set in 1950s Texas. Bookended by the main character in old age it tells of his boyhood summer where not much happens except friendship, family, and fishing – upended by the occasional vicious beating by his dad when he transgresses the old man’s strict moral code.
At its calmest it’s the kind of story you can read with a stalk of grass in your mouth and float on the current, but the threat of violence never really lets you settle. And when it comes you’ll wince, and you’ll be angry. Angry at the dad and angry at the protagonist, Corey, angry at his mum for slipping into her Bible.
Edgerton does a brilliant job at showing Corey’s motivation and why he takes it. Takes the edge off that anger and turns you soft with him as he gets back into the swing of things with his best friend, Destin, and his grandpa, Corey’s biggest influence. And by the time you get to the end …
It’s the first book I’ve read by Edgerton, though I’ve been aware if him for a long time. I need to push on and read his other stuff, because this was great.
You can buy The Death of Tarpons, currently FREE, from Amazons US and UK.
This thing has been on the Kindle for a few years, which shows the mad build-up of stuff I’ve stored on there, but this was worth the wait.
It kicks off with Owen Laukkanen’s N.F.G., an excellent slice of fishing boat noir, where the story revolves around the careless owner’s son and an old hand, Earl, whose full of stories nobody but the narrator listens to. Crammed around a tiny table in the ship’s galley in their quieter moments, tension arises from the son’s attitude and builds to a Biblical climax. Excellent rise in tension amidst the pressure of hauls, the wild sea, and dive-bombing seagulls. A great way to start the anthology.
They’re all very good noir tales, and one of the standouts is CS DeWildt’s Decomposition is the Universe Forgetting Itself. This bit of madness starts with Tommy Skaggs stealing money from a neighbouring trailer, and you’re already against him with the way he talks to the young girl he finds alone in there. He walks out with the money and an uneasy feeling in the reader’s stomach, and it gets worse when he robs the store and kills the cashier. You think the rest would be about his escape, but when he jumps over the wall into the trees which neighbour the backyard of a demented old woman, the story slides into a weirdness that’ll make you gag all the way to the end. It’s brilliant.
Eric Beetner’s Ice Cold Alibi is Hitchcock stirred into Sweeney Todd, with a protagonist you’ll love to hate, a tale of strong women and useless men. Top stuff.
Liam Sweeny’s God’s Country is a sweaty drug-runner tale that’ll hurt your stomach as you read it, and Scott Adlerberg’s The Gulf is a Belize set beauty stitching racial snipes and gender fears together in a complex tale. A white woman from Vermont travels with her black Brooklyn boyfriend to a so-called independent Belize where British troops still patrol – Adlerberg weaves in colonialism, white-woman-with-black-man anxieties, black-man-with-white-woman anxieties, male-female power imbalances, male pride, and female anger at having to deal with men’s obsession with her body so she can’t just be. Throw in an unwanted pregnancy and you have enough here for a novel, but Adlerberg, without an ounce of preachiness, makes an impactful noir tale out of it all in a short space. This one had me waking up thinking about it the next morning more than the others, but it’s a cherry on top of an excellent cake all round.
You can buy All Due Respect, Issue 2, from Amazons US and UK.
Matt Phillips’ You Must Have a Death Wish is a fun blast of noir which follows three men through their disastrous decision-making – Moonie Sykes who is branching out to become a hit-man and who finds it difficult to harden his heart for it; Gato, a man so pissed at an associate he wants Moonie to kill him and then maybe set him up for the murder, and Larry Aces, the dodgy property businessman who screwed Gato over.
If you’ve read any Matt Phillips you’ll expect violence, some offbeat conversations, and an explosive finale. I powered through this one, and though there’s some gruesome acts to make you wince, this felt more of a lighthearted romp from Phillips than the other two I’ve read – Know Me from Smoke and Countdown where the consequences really hurt.
The main man, Moonie, is a fantastic character, full of heart, always looking for a way up, but somehow lacking the immorality you need to get ahead in the crime world. Gato is a lizard – cold, calculating, and holds a grudge only the splash of blood can cool. Larry Aces is funny, wildly immoral, performs one act you can’t ever forgive him for, and spews rubbish out of his mouth every sentence. A proper scumbag.
The one character I didn’t buy is Zelda who hooks up with Larry Aces after he goes on the lam, drawn way too thin compared to the richness Phillips always gives his characters. I didn’t get what she wanted, she seemed to hate Aces and yet stayed with him it seems just for the size of his dick.
Beau Johnson has dropped in for a cup of tea laced with beer and hardcore violence to talk about his new book, All of Them to Burn, out on 24 February from Down & Out Books. I just need to know who the author is he speaks of.
Hi, Beau, what’s this new book you’ve written?
Right out of the gate then, is it? Okay. I see how this works. But first, Jason, I want to thank you for having me. You have always been so gracious with me, my answers notwithstanding. Anyway, now that that’s out of the way, the new book is the same as the previous books I suppose. New stories, of course. New adventures. But set up the same way the others have played out. Some one-offs. Some time-travel. But at its heart sits what always has: Bishop Rider and his continued struggle. More to the point: the end of it.
Bishop Rider rolls on, righting the world’s wrongs – but the world has a whole lot of wrong. How does Bishop cope with this knowledge, that his revenge can never be finished in his lifetime?
He knows. Has accepted the fact many times over. But it doesn’t deter the man. “It’s not the way killin’ is done.” He’d say, or something to that effect, and steamrolls on in an attempt to get as many as he can before he can no longer “go to work.”
And how about redemption. Bishop seeks it, but the things he does – even if it is to the scum of the Earth – must pile on the weight of his sins. Do you see him ever reaching a point of redemption?
Never. The man has too much hate. I even broach this very subject in ALL OF THEM TO BURN. In one story, a character tells Bishop he thought he’d feel different after Bishop lets this man kill the man who’d killed his child. “That’s the secret, Hoss,” Bishop says to this man. “You never do.”
How has Bishop developed since The Big Machine Eats, his second outing.
Well, funny you should ask. Seeing as I’ve always told Bishop’s story out of sequence for some reason, many things have occurred since the Big guy last ate. One, he continues to deal with the fallout of being down a limb. Not a whole limb, mind you, just the bottom part of what I call his kicking leg. Then there’s the whole Kincaid thing, which involves what Rider sees as his greatest mistake, and how it comes back to haunt him. There’s also the bit about his death, too, but maybe we save that for another day.
You’ve noted that people around you give you sideways glances after reading your work. Now I know it’s fiction, but what we write comes out of us. What percentage of you is Bishop Rider, and what do you tell friends who question your state of mind?
Ha! 90/10 split all the way! Rider being the furthest thing from his creator as you can possibly get. Which makes it all the more enjoyable when I do get those sideway glances (insert maniacal laughter here).
What’s your view on the state of the world?
I can’t, m’man. It kills me. Apologies.
You’re a massive advocate for other writers, which is top stuff. Who are you mad for right now?
I’m currently reading ORPHAN X by Gregg Hurwitz. Great stuff so far. And my last read was MY DARKEST PRAYER by Shawn Cosby. Top notch. Great voice. Great story. Great book. As I’ve been known to say: go on, get some. On the horizon I have GRETCHEN by Shannon Kirk and MAXINE UNLEASHES DOOMSDAY by Nick Kolakowski.
You’re itching to write. Life gets in the way and you end the day with your plans still in your head. Out of ten, how mad are you and how do you deal with it?
Since my wife and kids got me this handy dandy cell phone four years ago not so mad. I mean, I’ve now written one and half books on a phone for crying out loud! Weird times, my friend. Weird times.
You’ve said you’re an acquired taste. What kind of reader loves you all over their taste buds?
More than I ever thought would, to tell you the truth. I feel I’ve gotten better at writing, or maybe stronger is a fairer word, but I’ll acknowledge I took a hit early in my career, just before A BETTER KIND OF HATE came out. A bigger name than I will ever be, a writer I loved, let’s just say I wasn’t their acquired taste. And I know I’ll never be to everyone’s liking, I do, and you’d have to be some kind of moron to think along such lines, but it doesn’t mean it hurts any less to understand that someone you admired sees you as such.
What’s your next book? Is it written, planned, or still brewing and stewing in your mind?
Too soon to tell, but I will say this: a funny thing happened on the way to editing ALL OF THEM TO BURN…
Any last words, Beau?
Not only is Jason Beech a gentlemen and fellow wordsmith of the dark, you should check out his books too! I hear the latest one is a corker. All told, during my next purchase round, I might just have to get it myself.
You can buy All of Them to Burn direct from publisher, Down & Out Books, or from AmazonsUS, UK, And more.
Since Beau and I talked he’s announced that he will release another book featuring Bishop Rider, Brand New Dark. When the time comes I’ll take the poolball out of his mouth and allow him to talk about it.
In the meantime, get involved in some Bishop Rider stories –